Rick Raxlen
Rick Raxlen has been working as an artist and filmmaker since the late '60s. He began as a filmmaker with the NFB alongside Arthur Lipsett and Norman McLaren in Montreal, and was awarded one of only two Genies (Canadian Film Award) ever given for Best Experimental Film ("Legend," 1970). After a stint teaching at Concordia University and many short films, he went on to make the feature film "Horses in Winter" (1988), named as one of the best films of the eighties by Cinematheque Quebecois. After many more short works and another award-winning feature ("The Strange Blues of Cowboy Red," 1995), Rick abandoned the long form out of frustration with the impersonal nature of the process, and turned in earnest to a new obsession: the animated short form. This has been his primary moving image-based artwork for the past 25 years since he relocated to Victoria, BC. Rick is a strong proponent of non-institutionalized art-making practices and largely works outside of the system, producing and exchanging Mail Art and an incredible output of drawing and printmaking work presented in galleries and alternative venues worldwide.
Rick Raxlen compare in Running Time, Jaffa-Gate, Fish Don't Talk, Tongue Tied, 15 Soldiers, 11 Machines, 8 Cows.
Film in evidenza
Running Time
1974
Jaffa-Gate
1982
Fish Don't Talk
2020
Tongue Tied
1988
15 Soldiers, 11 Machines, 8 Cows
1983
Le Droit Divin
1985Metal Workers
1975Mumbles
2010
Deadpan
2002
U - Champions
1999
Duck Talk
1984
Haunted House
2014
Pure Mutation
1984
The Sky Is Blue
1969
Flagman's Nightmare
1984
The Strange Blues of Cowboy Red
1996
Horses in Winter
1988
The Polytechnic World
1984
The Geometry of Beware
1998
Self-Portrait (with Fish)
1984
Earthware
1975
Slippage
1999
Brand New Triathlon
2003
Mirage
1972
Kanga vs Werewolf
2020
Grey's Lullaby
1984
Anger After Death
1971
Sea Horses and Flying Fish
2020
Think Before You Think: A Portrait of Rick Raxlen
2020
Frottage/Dommage/Fromage 2 Vous
2008